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Sliver Fiber Printer

Re-spinning the Textile Innovation Chain

Sliver Fiber Printer — © Igor Roelofsen

What if textile designers could prototype colored yarns themselves, even before manufacturers enter the room? The Sliver Fiber Printer explores dyeing loose fiber (sliver) before spinning: a portable, sustainable tool that lets designers make colored yarns directly.

Rethinking Dyeing

Inspired by traditional techniques like ikat and kasuri, the project explores how position-specific coloration can open new creative directions. Where these traditions emphasize craft, today’s textile industry has moved toward streamlined, large-scale processes. This forces manufacturers to predict demand and leaves little room for designers to experiment. The sliver fiber printer challenges this system as a tool that reduces resource demands and encourages human-machine collaboration and creativity, opening space for speculation for novel fabrication methods.

Designing with Makers

The printer was developed through dialogue with textile designers, educators and craft experts. Early speculative interviews invited them to imagine how programmable fiber dyeing could expand their own practices, ranging from simplifying ikat traditions to enabling in-house sampling for fashion studios. Later, participatory making sessions allowed seven designers to directly experiment with the machine. Their excitement, frustrations and improvisations shaped the printer’s evolution across multiple iterations, transforming it from a tool into a creative partner.

Mathematics Worn

The research extended into both a published paper and a fashion show piece, presenting the Sliver Fiber Printer’s approach to position-specific coloration alongside a kimono-style top made from yarn dyed in one continuous motion. KI MONO translates this process into a wearable form, embedding mathematical thinking into every layer. The result is a garment that wears its code quietly—singular, algorithmic, and rooted in craft.

About Alice Gielen

Alice Gielen works at the intersection of textile craft, computation, and material innovation. Her practice bridges cultural heritage with digital fabrication, embracing unpredictability and human–machine collaboration to open new spaces for speculation, creativity, and sustainable making.

KIMONO - thue morse sequence printed — © Alice Gielen

A designer making with the printer — © Alice Gielen

Close up sample made by a participant designer — © Alice Gielen

West area, Fashion Tech Farm, Zeelsterstraat 80 , Map No. C2
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Partially Wheelchair Accessible
Wifi available
Dogs allowed
Toilets available