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Porcelain Foam – experiment and potential

Porcelain Foam – experiment and potential

A material exploration into more sustainable ceramic foam production processes.

Material development process — © Charlotte Becker & Eva Conci

As part of their Bachelor's thesis, Charlotte Becker and Eva Conci examine sustainable ceramic foaming in collaboration with University of Bayreuth and KOBER Porzellan. The project yields two design approaches demonstrating the material's potential.

Exploration & Development

Conventional ceramic foams are usually produced by pyrolizing polymer templates, creating a "ceramic copy" of the synthetic sponge. This project focuses on developing a more sustainable alternative: a direct foaming process for ceramic slip.

Through extensive testing, various additives, processing methods, and shaping techniques were combined. In this approach, air is introduced directly into the viscous mass, causing the slip to foam while organic additives stabilize the internal air bubbles. The primary challenge remains the sensitive drying process, which is currently undergoing further refinement.

Beyond developing the manufacturing process, the project also focused on processing the porcelain foam and exploring the material through design — shaping, post-processing, haptics, and aesthetics.

Material Properties & Application

Following comprehensive testing in the laboratories of the University of Bayreuth and Coburg University, the properties of the porcelain foam were systematically evaluated. Potential applications were then discussed in an interdisciplinary exchange across science, design, and industry.

Due to its ceramic base, the material is inherently heat-resistant and chemically stable. Pore size and porosity levels can be adjusted during production. A key feature is the ability to cast large-volume components that burn without cracking and remain lightweight due to the high air content. Additionally, the open-pore structure generates capillary action, allowing liquids to be absorbed and evenly released.

For practical application, the project focuses on two key fields: filtration for wastewater treatment and acoustic absorption for indoor spaces.

Translating Material Potential

Eva Conci — Acoustic Absorber:
Room acoustics profoundly shape well-being, concentration, and social interaction. Acting as a porous absorber, the porcelain foam converts incoming sound wave energy into heat through friction. The material naturally meets strict fire safety standards. Thanks to its moisture resistance, it can also be used in high-humidity spaces like indoor pools, opening up new application fields for such absorbers. The design translates this physical principle into a modularly expandable acoustic panel, combining simple geometry with functional acoustics and traditional ceramics.

Following the bachelor's thesis, Eva continued the project by producing a small series of additional acoustic elements. This made it possible to refine the porcelain foam manufacturing process and test the use of pigments.

Charlotte Becker — Filtration System:
As a second application area, a filtration system was developed. By precisely tuning pore size and porosity, the porcelain foam filters contaminants—down to microorganisms—from liquids and gases. A prototype demonstrates these cleanable, reusable elements by transforming contaminated liquid into clean water.

About Eva Conci

Eva Conci is a designer with a broad range of interests, from experimental approaches to exhibition design. Inspired by the versatility and transdisciplinary work in design, her focus is on understanding insights, connecting ideas, and shaping potential to create new pathways and possibilities.

Various drying tests — © Charlotte Becker & Eva Conci

Porous silence — an acoustic absorber — © Eva Conci

Assembling the individual acoustic elements — © Eva Conci

Sustainable filtration - a water filter — © Charlotte Becker

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