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Chronoglossa — No Time, No Detail

A Visual Language for Rediscovering Beauty

Entire Installation — © Stef Miggels

Chronoglossa, by Studio Ryan de Bruijn, is a 170 cm alien-like 3D-printed sculpture on display at the Next Nature Museum in Eindhoven during Dutch Design Week. The project presents a visual language system that critiques society’s pace, inviting viewers to slow down and rediscover beauty.

Concept

Chronoglossa is a three-dimensional visual language system that critiques society’s relentless pace and standardization. Through ornamental structures that blend symbolic elements, Chronoglossa disguises a deeper message about how modern life affects our perception of beauty and meaning. The project reclaims beauty as an active force for change, encouraging us to slow down and reflect. By drawing attention to detail, form, and material, Chronoglossa envisions a more thoughtful, balanced future where art, technology, and the environment exist in harmony.

Form

The installation centers around a 170 cm 3D-printed sculpture, suspended against large wooden panels that measure 190 x 258 cm in total. Shiny, otherworldly in its presence, the sculpture is complemented by flatbed-printed infographic panels that explain the rules of the language system. Together, these elements create a hybrid of artwork and speculative tool, revealing both its mysterious surface and the underlying structure that informs it. Chronoglossa exists as both an object of contemplation and a system of meaning, bridging ornament with critique.

Experience

At first encounter, Chronoglossa appears as a large, alien-like sculpture whose organic forms feel mysterious rather than immediately readable as a language system. Visitors are invited to step closer, interact with its shapes, and decipher the message hidden within. The project encourages slowing down and reflection on how our fast-moving, digital world shapes what we value and what we overlook. Inspired by ancient communication systems, science fiction, and speculative futures, Chronoglossa becomes more than a static object. It acts as an invitation to experience beauty as something active and unfolding, urging us to reconsider how we interact with the world and what we value in the things we create.


About Studio Ryan de Bruijn

Ryan de Bruijn is a visual designer and interdisciplinary artist working across visual language systems, speculative design, installation, branding, motion graphics, 3D design, and typography. His practice explores the space between clarity and experimentation, creating visual systems that communicate, provoke reflection, and function as societal interventions and critiques.

Close-up of the Centre — © Stef Miggels

Tone Engravings — © Stef Miggels

Rules of the Language System — © Stef Miggels

Alien-like Elements — © Stef Miggels

West area, Next Nature Museum, Noord Brabantlaan 1A , Map No. C1
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Fully Wheelchair Accessible
Wifi available
Toilets available